towering landscapes

Towering Landscapes is a presentation of naturally and manually constructed edifices.  The artworks examine instances of echoes between man and the elements.

Steve Driscoll, The Sun Shines Today, 2010, urethane on board, 44" x 55"

Alex Lukas, Untitled, 2010, ink, acrylic, silk screen, book pages, 12.5" x 15.5"

Alice Burton, Mirror Lake, 2010, acrylic on canvas, 40" x 40"

fuchsia matchwood

Fuchsia Matchwood is colourful fragments.  These painted and digitally produced abstractions fill the space with bloom and motion, and are nonrepresentational yet pictorial, simultaneously.

Nate McLeod and Cassandra Paul, Technicolor Dreambox, 2010

Margaret Glew, Fearless, 2010, oil on canvas, 60" x 60"

Patricia Whittingham, Red Series, acrylic on canvas, 18" x 22"

standard integers

  This show incorporates ideas of digital authenticity.  Where one piece is digitally produced, the other is manually fabricated, but both are rendered through the veneer of technology.

Alex Fisher, Teen Dream, 2010, digital image

Jessica Eaton, Cfoal 35, 2010, C print

lavender and paste

Lavender and Paste is an array of character bricolages.  Whether literally cut and pasted, or affixing colours and blending rationale, this show is a romp between real and make-believe.

Daniel Barrow, Mirror Bouquet, 2010, mixed media 13" diameter

Brian Donnelly, Duo, 2010, oil on canvas, 24" x 32"

Winnie Truong, Kind Rube, 2010, pencil crayon and chalk pastel on paper, 22" x 30"

real modern, post-fake

With a direct way of looking at art and reassessing its function, this show embraces geometry, objects, simple lines, and an uncomplicated palates vis á vis synthetic mock-ups.

Dawit Petros, Double Cube Formation #1, 2010, C-print, Edition of 3 with 1AP

Heidi Leverty, Paper 36, 2010, pigment on archival paper, 41"x48"

Laura Millard, Meltwater V 1/5, 2010, Oil, Chromira Print on dibond, 64" x 42"

artsmanship

In a juxtaposition to the category of craftsmanship, this show is comprised of artwork that embodies both duplicity of characterization and deftness.  The viewer is invited to experience the digitally and manually constructed art 'n' craft.

Mark Stebbins, Matrices, 2010, acrylic on wood panel, 11"x14"

Maura Doyle, Bones, 2009, porcelain, variable sizes

paying o'mage

Paying O'mage includes work that acknowledges the learned.  These artworks reflect varying opinions of proficiency, and the artists archive particular accomplishments through their own erudite practices.

    Dan Dubowitz, Patient Records, 2009

Bill Burns, Hans Ulrich Obrist (from Celebrities and Post-Structuralist series)

Elliott Erwitt, Yale University, New Haven, Connecticut, 1955

play with your food

The artworks in this show are representative of the possible tactility of oil and acrylic.  The artists play with the artistic medium of painting, creating varying textures, styles, and means of execution.

 

Brendan Flanagan, Row, 2010, Oil and acrylic on board, 60" × 84"

Viktor Mitic, Hole Jesus 2008 acrylic on canvas, bullet holes, gold leaf 36" x 35"

John Brown, Grimm #73, 2009, oil on panel, 24" x 24"